Wall of clouds to the south, Shizuoka, Japan, 1995
It’s one of those momentous times in life when all the strings of the doily of life converge. Big decisions have to be made, whether I want to or not, and while I stand here in the clearing all the snow around looks fresh and untouched. Whichever way I go there will be new tracks. I love being the one to stamp into the new snow, but all the same it’s not a little scary. And not without its sorrow.
Since I was a boy beyond memory two main themes always reiterated themselves into the architecture of my thoughts and feelings: nature and art. The earliest light of my consciousness recurs with images of leaves and insects and the smell of soil. Most of my happiest memories occurred in places surrounded by trees or hills or living things. The sounds of wind and water infused the music in my mind, like a green concert hall, the orchestra still warming up. Whenever I wavered, when the fragility and uncertainty and cruelty of human interaction shook my connection to this ephemeral and ever-changing boat that I call myself I could always step outside and go for a walk. There was a reciprocative duality there that felt like one; the world and me. There was never any doubt in it.
Art has always done the same for me. Writing and books; painting and drawing; photography; singing, writing lyrics, playing guitar and violin, and listening to all the world’s musicians, from crickets to Peter Gabriel and Kiri Te Kanawa; movies and animation; cooking; gardening; pottery; architecture and interior design… Somehow all these activities defined the passage of time and effort for me.
Merely acting out the steps necessary for survival, without appreciation for the merit in every aspect of the things around you or of what you actually do, never seemed to quite fulfill the promise of waking each morning. People who tell me they get bored confound me… how can you get bored if you have imagination? Isn’t it the mind that defines the color of perception? And isn’t that just what art is, the painting in of the details? Art, for me, polishes the roughness in the old block. It is with imagination that you learn to see and by seeing you unfurl the wings within your daily grind.
I have the opportunity to once and for all combine the these two guides to my life. To not shunt onto another track out of self-doubt and fear. Writing, drawing, photography, wildlife, conservation, a lifestyle as close to nature as I can hope to make it. But I’m not sure how to go about doing it. Do I stay here in Japan? Try Australia or New Zealand? Go back to Europe? Or the States or Canada? Do I teach? Do I go back to university (perhaps to study biogeography or wildlife management or some such)?
The first step has already been taken. I finished writing a book two years ago, but it has yet to find a publisher. It was the first major accomplishment of the promises I made to myself when I was younger: to live according to the right vibrations.
A lot of this seems shrouded in clouds these days; I am not as sure of who I am as I was long ago, but I know what I miss most, and missing something that you love for too long requires the sacrifices and determination of a lover. And I want to be a lover of life.